Fish on Pottery | Kiefer Floreal | Episode 670

Kiefer Floreal | Episode 670

Kiefer Floreal is a 23 year old potter who was born in Kenora, Ontario. Kiefer’s work is inspired by the traditional Japanese art form, Gyotaku. After experimenting, Kiefer found a method that left detailed fish prints displayed on his pots. Kiefer prides himself on printing fish that he catches locally and legally.

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Following A Profit Path | Sophie Moran | Episode 669

Sophie Moran | Episode 669

For over twenty years Sophie Moran has set up studios in sheds, shops, potteries, and warehouses around the northern suburbs of Melbourne and is currently based in a collective, creative space in Brunswick. Sophie calls myself an urban potter as there is usually concrete beneath her feet and her clay comes in a bag. Sophie explores notions of nurture, individuality, and community in what she makes, while maintaining that primary functional purpose.

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Transitioning to Full Time | Craig Underhill | Episode 668

Craig Underhill | Episode 668

Scottish born Craig Underhill lives in Cornwall, England where he create slab-built vessels. Using his “three-dimensional canvasses”, Craig marks, adds textures, and colors his work creating delicious abstract surfaces. Inspired by his surrounding landscapes, Craig’s work brings an echo of the sea, sky, and textures of land to our attention.

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In the Air Force & Making Pots | Amy James | Episode 666

Amy James | Episode 666

Amy James is from Minnesota but currently lives in Oklahoma. Amy has been artistic her entire life and started doing pottery in 2013. A year later Amy joined the Air Force. She loves traveling and the outdoors and has been fortunate enough to travel the world and live in different parts of the country while in the military. All this travel and working in the Air Force has also helped to fund Amy’s ceramic equipment and college.

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A Midwife Not a Director | Anna Moszczenska | Episode 665

Anna Moszczenska | Episode 665

Anna Moszczenska fell in love with clay when she took a pottery course a few years ago. From then on Anna loved working with clay. For her working with clay is like an unintentional process, and Anna has learned to accept it as an instinctive method. Ann is drawn to abstraction as a way to uncover and express her feelings and emotions. Anna expresses herself by creating different forms and shapes using a different clay body and applying colourful slips. Anna is inspired by abstract and surrealistic paintings. She works primarily by making coiled vessels and slab work.

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