Her Work Got Copied | Lisa Neimeth | Episode 542

Lisa Neimeth | Episode 542

Clay has been in Lisa Neimeth’s life since studying ceramics in college. Lisa is constantly taking note of colors in nature, food, magazines, newspapers, fashion, street art, and graffiti and she loves seeing colors put together unexpectedly. Lisa’s plates can inspire and tell a story so they are evocative in the traditional “art” sense—but are completely functional. Lisa also loves the notion of high-end craft and taking time to carefully make everyday items. It is the way things used to be made—by hand and with great care and craft. That care of Lisa’s encourages an appreciation of the everyday.

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Sicking the Lawyers on Them with Lisa Neimeth

Our art is our brand, creation, our income and so much more. So protecting that art is so critical for an artist. Lisa’s experience with artistic plagiarism gives us a case study on when it is appropriate to higher a lawyer to protect her work. She walks us through the process she went through both before involving a lawyer and up to the point of getting the lawyer involved. This is a great conversation on the process she had to go through. To listen in to this episode, click HERE.

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Put Yourself Out There | Lisa Neimeth | Episode 175

Lisa Neimeth | Episode 175

LN at OB

Lisa Neimeth Setting on SandBorn in New York City, Lisa Neimeth was influenced early on by the multiples of objects and icons surrounding her, as a young collector. After college, Lisa returned to New York City, where among other things, she sold lemonade on the streets and studied ceramics in private sculpture studios. Creating art remained in the background while pursuing Social and Community work, another passion, throughout the five Boroughs. Traveling was key for her after receiving two Masters Degrees in Social Work and Urban Planning. She traveled extensively throughout Mexico, Central and South America where she was deeply influenced by color, texture and forms observed there.
Lisa moved to San Francisco in 1994, drawn there by the open land, light and ocean. She continued doing Community Work while contemplating new relationships between materials in her sculpture work. In 1997, she gave birth to the first of 2 children – leading her to change her focus and to do art more full time. Capturing images and applying them to clay enables her to create a vision of whimsy and directed randomness. She now focuses mainly on creating rustic, yet refined tableware. She describes them as photographs of her observations transcribed onto clay and made to be used.  They incorporate impressed vintage and found object imagery with hand-etched detailing.
Her work continues to be influenced by her surroundings and travels and extended time she spends on her property in Northern New Mexico.
She has been featured in the New York Times, Wall Street Journal, House Beautiful, Anthology Magazine, Food and Wine, C magazine, San Francisco Chronicle, Western Art and Architecture, Sunset, California Home and Design as well as multiple features in high profile design blogs.

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