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Dan Mark | Episode 1201

Dan Mack started working with clay in high school, where he was immediately captivated—maybe from a family history of artists, or from being introduced to clay at a young age by his uncle. That early spark took hold, and Dan spent his school lunches in the pottery studio, teaching himself the craft by watching old videos of Hsin-Chuen Lin, carefully deciphering throwing techniques purely through observation. Dan now works out of his studio in San Francisco, California, using stoneware and reduction firing techniques. Surfaces are often left raw or minimally glazed to highlight the natural character of the clay. This keeps the focus where it began: with an obsession for form and technique, seen in the tension in the walls, the precision of trimming, and the timelessness of his shapes.

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