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Joel Cherrico | Episode 147
Joel Cherrico is a potter, entrepreneur and former author for the American Craft Council website. After graduating college with a degree in art, he immediately launched his business, Cherrico Pottery, LLC. For the past five years, he has supported his livelihood full-time by creating and selling handmade pottery.Continue reading
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Steve Kelly | Episode 146
Portland, Oregon potter Steve Kelly’s work is rooted in rural Asian ceramic traditions but offers an American urban sensibility. He draws inspiration from street art, typography, and the kinetic human form.Continue reading
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Yoko Sekino-Bove | Episode 145
Yoko Sekino-Bové was born in Osaka, Japan. She graduated from Musashino Art University in Tokyo, Japan with a Bachelor of Fine Art degree in graphic design before moving to the United States. She worked as a commercial designer in Los Angeles before her passion for ceramic art took her onto a new path.
She received a Master of Fine Art degree in Ceramics from the University of Oklahoma in 2004. After working as an apprentice at Rowantrees Pottery in Blue Hill, Maine, to study tableware production, Yoko served as an artist-in-residence in the ceramic department of the Armory Art Center in West Palm Beach, Florida from 2004 to 2005.
Her ceramic works are featured in “500 cups”, “500 platters and chargers”, “500 teapot volume 2”, “Humor in Craft” and “Surface decoration techniques for potters” as well as other craft books and a wideContinue reading
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Linda Fahey | Episode 144
Beyond being the chief curator and proprietor of YONDER, artist Linda Fahey spends much of her time in the shop’s studio, making her own line of ceramics, all inspired by a life lived by the coast. At YONDER, her open studio is a space for exploration, innovation, and collaboration, where she welcomes customers, artists, and friends to pull up a seat at her worktable for conversations and creating. Her work is shown at respected shows in the Bay Area throughout the year, and is available nationwide through design-focused stores such as Anthropologie, Voyager, and Rare Device.Continue reading
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Brit McDaniel | Episode 143
As the artist and designer behind Paper & Clay, I make modern functional ceramics that are designed to be both beautiful and very usable. I draw inspiration from my love of Scandinavian design in the design of my forms and development of glazes, but also in a broader sense. I love having simple but well made elements as a part of my own home, and I strive to create work that fits that form.Continue reading
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John Britt | 142
John Britt is a studio potter in Bakersville, North Carolina who has been a potter and teacher for over 30 years. He lives in mountains of western North Carolina although he grew up in Dayton, Ohio. John is primarily a self-taught potter who has worked and taught extensively, both nationally and internationally, at universities, colleges and craft centers, including the Penland School of Crafts where he served as the Clay Coordinator and then, as the Studio’s Manager.
He is the author of the “The Complete Guide to High-Fire Glaze; Glazing & Firing at Cone 10” which was published by Lark Books in 2004, and his most recent book “The Complete Guide to Midrange Glazes: Glazing and Firing at Cone 6” which will be published October 2014. He also has and two e-books (PDF’s): “The Quest for the Illusive Leaf Bowl and Other Assorted Articles” and “Aventurine Glazes”. He also has a DVD produced by Ceramics Daily entitled: “Understanding Glazes: How to Test, Tweak and Perfect Your Glazes”.
He was the juror for the book; “500 Bowls”, Technical Editor for “The Art and Craft of Ceramics”, and the “Ceramic Glaze: The Complete Handbook” by Brian Taylor and Kate Doody. He has written numerous articles for ceramics publications including: Ceramic Review, Studio Potter, Clay Times, Ceramic Technical, New Ceramics, The Log Book and is a frequent contributor to Ceramics Monthly.Continue reading
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Brice Dyer | Episode 141
Brice Dyer received his BFA in ceramics and sculpture from the University of North Texas. After graduating in the spring 2012 he moved to St. Petersburg Fl where he was a Artist-in-Residence at the St. Pete Clay Company. After spending two years in Florida he moved to Kansas City to be a Foundation Resident at Redstar Studios. His work is influenced by geology and landscape and
is primarily hand-built.
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Bill van Gilder | Episode 140
A professional potter for more than 45 years, Bill van Gilder began his clay work at age 15, as a studio apprentice to the late Byron Temple. During the following years, he apprenticed in Ireland and England, and received a degree from Harrow School of Art, London, England. He then established and managed two large teaching/training centers in Southern Africa (Lesotho & Swaziland) under the auspices of The World Bank. Bill returned to the U.S. in 1979 and established a studio and craft gallery atop South Mountain in Central Maryland, which he continues to operate today.Continue reading
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Molly Allen | Episode 139
Molly Allen is an emerging sculptural ceramic artist. Originally from Colorado, She completed her BFA at Sierra Nevada College as the 2014 Valedictorian. Since then she has completed artist in residency programs at Watershed Center for the Ceramics Arts and Mendocino Art Center. Molly’s work uses animal forms to explore the human subconscious.
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Shannon Garson | Episode 138
Shannon Garson is an Australian ceramic artist specialising in thrown, decorated porcelain. Her work is available at galleries and stores and in her online store.
Shannon’s studio is based in a small rural town of Maleny in the hinterland of the Sunshine Coast. Each piece of porcelain is unique, the result of many hours work. In add
ition to her artistic practice Shannon runs innovative workshops incorporating nature in porcelain and surface design for schools and small groups.
Shannon’s drawings about the strange beauty and wonder to be found in the marginalized eco-systems of the littoral zone. Details of shorelines, rock pools and coastal wallum scrub are revealed in the sgraffito and oxide drawings that crawl over the surface of these delicately thrown porcelain vessels. Exhibition work is available from these galleries.
“I want the surface of the pot to be part of the drawing, not just a surface for the drawing to sit on. I want the whole pot to be experienced, from the weight of it as you pick it up, the texture, the drawing, colour, smoothness of the glaze, all the elements draw the viewer into experiencing the vessel.”
